In recent years, there has been a proliferation of producer networks and collectives springing up internationally. From hyper-local to proudly borderless, these networks can be idiosyncratic in nature, while others are more administratively and financially complex.
In this session, we will look at examples from Asia, North America and Europe to consider the pros and cons of peer-based producer networks. Additionally, we will ask why these kind of producer-led initiatives have been less successful in Australia and whether there might be a pathway to reconsider opportunities for increased solidarity and peer support amongst Australian producers working today.
In this workshop, you will learn/discuss;
Freya is an Independent Producer based in Melbourne. She previously held roles with organisations in Australia and internationally, working across film, gaming, performance, music and festivals. In 2015, Freya established her company, VISIONS, which focusses on supporting independent artists and companies to create new work and drive projects from inception through creation and presentation.
Her international marketplace engagement and experience is significant and she has facilitated the presentation of 90+ performance seasons in 22 countries. Freya consults widely across the sector, advocating for diverse expressions of independent practice. She sits on Chamber Made’s Artistic Reference Group and is The Asian Producers Platform planning team.
You can find out more info here: www.freyawaterson.com
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